Inspiration - fra Nielsen til Tippet

Inspirationen til hvad man skal høre kan komme fra de mest forskellige steder. Forleden morgen vækkede vores clock-radio os med midtersatsen fra Carl Nielsens Lille Suite for Strygere. Det er en dejlig let, hvirvlende og luftig vals der kun kunne blive starten på en smuk og solrig dag.

Jeg var nødt til at høre hele suiten samme aften. Det blev på en frisk lydende men ret gammel optagelse med Carl Garaguly i spidsen for Tivolis Symfoniorkester. En dejlig optagelse og et fint stykke musik. Den gamle LP (TF 121) er fra det i vore dage noget uventede pladeselskab Fona. På den samme LP er der også en optagelse af Symfoni nr 2. Den havde jeg totalt glemt da jeg skrev lister over mine optagelser af symfonierne for nogen tid siden.

Lille Suite er Carl Nielsens opus 1 og blev skrevet i 1883 da han var 18 år gammel. Det er et charmerende og tiltalende stykke der lover godt for de ting der skulle komme senere.

At høre Lille Suite fik inspirationen til at flyde, og jeg kom til at tænke på Little Music for String Orchestra af den engelske komponist Michael Tippet. Tilbage til LP hylderne for at finde 1972 optagelsen med Neville Marriner som dirigent for St.Martin in-the-Fields ensemblet. Den er på side to af en Argo LP (ZRG 680) sammen med Fantasia Concertante over et tema af Corelli. Little Music er et mere strengt og stærkt stykke end Nielsens Suite, men det var meget interessant at sammenligne de to. Den meget unge Nielsen havde allerede fundet en del af den stil der skulle komme i fuld blomst hos den modne komponist. Den erfarne Tippet var i 1946 ved starten af en ny stil - stadig lidt stift, men på vej frem mod højdepunktet i The Midsummer Marriage (nåh ja - den har jeg også i den første komplette optagelse med Colin Davis og Covent Gardens kor og orkester fra 1970. Det var den optagelse der introducerede mig til Tippet og det blev starten på en fin lille samling - og en større fascination). På side et af Argo pladen ligger Koncert for dobbelt strygeorkester fra 1938-39. Det er et af mesterværkerne fra Tippets første stilperiode. Den optagelse skal vist have noget spilletid snart?

Jeg må nu tilstå at Corelli Fantasien fra 1953 er den smukke juvel sammenlignet med Little Music. Det er et komplekst, smukt og meget interessant stykke musik. Den store fuga i 5.del af Fantasien er et dybt betagende mesterværk. Der er gået mange år siden jeg sidst hørte dette stykke, men magien slog til med fuld styrke allerede under opbygningen til fugaen - jeg vidste præcist hvad der ville komme og det var endnu bedre end jeg huskede det. Fremragende! Denon hovedtelefonerne lod også musikken stråle i sin fulde herlighed. For mig har de været perfekte til alle de typer klassisk musik jeg hidtil har hørt på dem, og de bliver stadig bedre med flere timers spilletid.

Inspiration - from Nielsen to Tippet

Inspiration for what to hear can comme from many different places. A couple of days ago our clock-radio woke us by playing the middle movement of Little Suite for Strings by Carl Nielsen. It is a wonderfully light swirling and airy waltz that could only be the start of a beautiful sunny day. 

I had to hear the complete suite the same evening. It was a fresh sounding but quite old Danish recording with Carl Garaguly leading the Tivoli Symphony Orchestra from Copenhagen. A very good recording and a fine piece of music. The old LP (TF 121) is from the somewhat unexpected label Fona (a Danish company, today a chain of Radio/TV shops). On the same LP is another recording of the 2.symphony by Carl Nielsen I totally forgot when listing my recordings of the symphonies some days ago.

The Little Suite is Carl Nielsens opus 1 and composed 1883 when he was 18 years old. It is a charming and deligthful piece with promisses for things to come.

Hearing the Little Suite got the inspirations flowing and I remembered the Little Music for String Orchestra by Michael Tippet. Back to the shelves to find the 1972 recording with Neville Marriner conducting Academy of St.Martin-in-the-Fields. It is on side two of an Argo LP (ZRG 680) together with Fantasia Concertante on a theme of Corelli. The Little Music is a more strict and strong piece of music than the Nielsen Suite, but it was very interesting to compare the two. The very young Nielsen had already found some of the style that would later come into full bloom for the mature artist. The experienced Tippet was in 1946 at the start of a new style - still a little stiff but leading to the high point later in The Midsummer Marriage (well, yes - I have also got that in the first complete recording with Colin Davis and Covent Garden. This was my introduction to Tippet, and the start of a fine little collection - and fascination). On side one of the recording is the Concerto for Double String Orchestra from 1938-39. This is a masterpiece from the first period of Tippets compositional styles. That recording must get som playing time one of the next days.

But I must admit - the Corelli Fantasia from 1953 is the wonderful jewel compared to Little Music. It is a complex, beautiful and very interesting piece of music. The grand fugue in the 5.part of the Fantasia is nothing but a breathtaking masterpiece. Many years has passed since I last heard this piece, but the magic struck with full power already during the build-up to the fugue - I knew precisely what was comming and it was even better than I remembered. Marvelous! And the Denon headphones made it shine in full glory. For me they are perfect for all the types of classical I have heard on them, and they still grow better with more hours of playing time.